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Post Malone Beerbongs And Bentleys Album Download Free UPDATED

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Post Malone Beerbongs And Bentleys Album Download Free

2018 studio anthology by Post Malone

Beerbongs & Bentleys
A disc wrapped in barbed wire inside a jewel case

Digital artwork; CD copies are packaged as depicted. Vinyl copies have a different cover.
Studio album by

Post Malone
Released April 27, 2018 (2018-04-27)
Recorded 2016–2018[1]
Studio
  • Atrium (Calabasas)
  • Electric Feel
  • Henson (Hollywood)
  • Quad (New York City)
  • Suite 100 (Atlanta)
Genre
  • Hip hop[2]
  • pop[3] [four]
  • R&B[4]
Length 64:26
Characterization Republic
Producer
  • Andrew Watt
  • Aubrey Robinson
  • Cashio
  • Frank Dukes
  • London on da Track
  • Louis Bell
  • Post Malone
  • Prep Bijan
  • Roark Bailey
  • Scott Storch
  • Swish
  • Tank God
  • Teddy Walton
Mail service Malone chronology
Stoney
(2016) 		Beerbongs & Bentleys
(2018) 		Hollywood's Bleeding
(2019)
Singles from Beerbongs & Bentleys
  1. "Rockstar"
    Released: September fifteen, 2017
  2. "Candy Paint"
    Released: October 20, 2017
  3. "Psycho"
    Released: February 23, 2018
  4. "Ball for Me"
    Released: May viii, 2018
  5. "Improve At present"
    Released: May 25, 2018

Beerbongs & Bentleys (stylized in lowercase) is the 2nd studio album by American rapper and vocalist Postal service Malone, released past Republic Records on Apr 27, 2018. The album features guest appearances from Swae Lee, 21 Barbarous, Ty Dolla Sign, Nicki Minaj, Thou-Eazy, and YG. It includes production from frequent collaborators Louis Bong and Frank Dukes, alongside London on da Rail, Andrew Watt, Tank God, Twice as Nice, Teddy Walton, Scott Storch, and PartyNextDoor, among others.

Beerbongs & Bentleys was a commercial success, debuting at number one on the U.s. Billboard 200, with 461,000 album-equivalent units, 153,000 of which were in pure sales. It also broke streaming records on Spotify having gained 47.9 million streams in the Us in the kickoff day of its release. The album was supported past five singles: "Rockstar", "Candy Paint", "Psycho", "Brawl for Me", and "Meliorate Now", with "Rockstar" and "Psycho" peaking at number i on the US Billboard Hot 100. The album broke the tape for the near simultaneous top 20 entries on the Billboard Hot 100 with nine songs in the top 20 of the chart.

While Beerbongs & Bentleys received mixed reviews from critics, it was included in several year-end lists of the best albums of 2018. The album was certified five-times platinum by the Recording Manufacture Clan of America (RIAA), and was nominated for Album of the Year at the 2019 Grammy Awards.

Singles [edit]

The album'south lead unmarried, "Rockstar" featuring 21 Fell, was released for digital download on September 15, 2017.[5] [6] Information technology was afterwards sent to rhythmic and contemporary hit radio on September 26, 2017.[7] [eight] The song peaked at number ane on the Usa Billboard Hot 100, condign Mail service Malone and 21 Barbarous'southward outset number-i song.[ix] [10]

The album'due south second single, "Processed Paint", was released on October 20, 2017.[11] [12] The song peaked at number 34 on the Billboard Hot 100.[ten]

The anthology'due south third single, "Psycho" featuring Ty Dolla Sign, was released for digital download on February 23, 2018.[13] [14] It was afterwards sent to rhythmic contemporary radio on Feb 27, 2018.[15] The song debuted at number ii and later peaked at number one on the Billboard Hot 100.[10]

"Ball for Me" featuring Nicki Minaj, was sent to rhythmic contemporary radio on May eight, 2018, as the album'south fourth single.[xvi] The song peaked at number 16 on the Billboard Hot 100.[10]

"Better Now" was sent to United kingdom contemporary hit radio on May 25, 2018[17] and The states gimmicky striking radio on June v, 2018, every bit the album'due south fifth single.[18] The song peaked at number three on the Billboard Hot 100.[10]

Disquisitional reception [edit]

Professional ratings
Amass scores
Source Rating
AnyDecentMusic? 4.viii/10[19]
Metacritic 51/100[20]
Review scores
Source Rating
AllMusic [21]
Issue C–[22]
Exclaim! 8/x[23]
The Guardian [24]
HotNewHipHop 70%[25]
NME [26]
Pitchfork 5.6/10[27]
Rolling Stone [28]
Sputnikmusic two.8/5[29]
The Times [three]

Beerbongs & Bentleys was met with mixed reviews. At Metacritic, which assigns a normalized rating out of 100 to reviews from professional person publications, the anthology received an boilerplate score of 51, based on 10 reviews.[twenty] Aggregator AnyDecentMusic? gave it 4.8 out of 10, based on their cess of the critical consensus.[19]

Alexis Petridis of The Guardian complimented the album's production, hooks and Post Malone's vox, but criticized Malone's lyrics: "Over a protracted menses of time – and Beerbongs & Bentleys goes on and on like a charity telethon – there's a paucity of original ideas, the sense that he has virtually nothing to say for himself, and that whatever he has, has already been said umpteen times before with considerably more skill, wit and impact."[24] Larry Bartleet of NME described the album as "voguish, trap-flavoured blandness", concluding Beerbongs & Bentleys is "more of a stultifying moodboard than an anthology with something to say" and that "its 18 tracks are homogenous playlist provender targeted at the streaming auto".[26] Andrew Unterberger of Billboard commented that "the album doesn't throw plenty unlike looks at listeners to justify its eighteen-track length, leading to an inevitable 2d-half sag" just "it does take a couple moments that run into Post stretching his musical boundaries, to promising effect".[xxx] Neil Z. Yeung of AllMusic said, "Beerbongs & Bentleys is an apt reflection of his lavish lifestyle and his later begotten hardships, merely its attempts at sincerity work but when Post Malone stops trying then hard".[21] Evan Rytlewski of Pitchfork concluded that Beerbongs & Bentleys "plays to Postal service's greatest strength: his melodic instincts. His all-time hooks are so tuneful and airless they directly target the ear's pleasure centers", but "Postal service Malone's singular, bleak mood wears thin and grows dried after likewise long".[27]

Daniela Campos of Exclaim! wrote that the album represents "a focus on a rock-star rapper's lifestyle that's being pushed to the forefront for the public eye to decipher".[23] Jordan K. of Sputnikmusic maxim "This moment of fuzzed-out, fucked-up pop music with questionably scant odes to rap music is not designed for posterity. To his credit, Post gets that, and is content to brand overlong albums where every vocal tin can exist a single. Not every song on Beerbongs & Bentleys tin can exist a unmarried, simply there'southward plenty of them hiding in there to make information technology one of 2018'due south more rewarding releases".[29]

Year-end lists [edit]

Industry awards [edit]

Commercial operation [edit]

In the United States, on the 24-hour interval of its release, Beerbongs & Bentleys bankrupt streaming records on Spotify.[43] The album achieved 47.9 million streams in the U.s. and 78,744,000 streams globally on the music service within 24 hours.[44] It was projected to open up with 460,000 anthology-equivalent units in its offset week.[45] The anthology debuted at number one on the US Billboard 200, opening with 461,000 anthology-equivalent units in its offset week, with 153,000 coming from pure sales. Information technology logged the largest week of the year for an anthology, and the biggest streaming calendar week ever with 431.three one thousand thousand on-demand audio streams in the country, surpassing the previous record held by Drake'southward More Life (2017), which started with 384.8 1000000.[46] In its 2d week, Beerbongs & Bentleys accomplished 193,000 album-equivalent sales, 24,000 of which were pure sales, raising its two-calendar week total to 663,000 album-equivalent sales.[47] It remained atop the chart for a tertiary week, with 147,000 anthology-equivalent units, including 18,000 pure sales.[48] The post-obit week, the anthology cruel to number two with 123,000 album-equivalent units following the debut of Love Yourself: Tear by the Korean boy band BTS.[49] [l] On April 22, 2021, it was certified v-times platinum past the Recording Industry Clan of America (RIAA) for combined sales, streaming and track-sale equivalents of v one thousand thousand units in the Us.[51]

On May 12, 2018, Beerbongs & Bentleys bankrupt the record for the almost simultaneous top xx entries on the United states of america Billboard Hot 100 songs chart with ix songs in the height 20 of the Hot 100, shattering the previous record of six, which was shared by the Beatles and J. Cole. The Beatles held the tape for 54 years, every bit they charted six songs in the top twenty on charts dated April 11 and eighteen, 1964. J. Cole tied the marking on May 5, 2018. Malone also broke the record for the nearly simultaneous top forty Hot 100 hits: 14.[52]

In the United Kingdom, Beerbongs & Bentleys debuted at number one, moving 46,000 album-equivalent units in its start calendar week, with 35,000 units coming from streaming, giving Post Malone the third biggest opening calendar week of streams for an album in the Uk of all time.[53]

In 2018, Beerbongs & Bentleys was ranked as the third most popular album of the year on the Billboard 200.[54] The album finished 2018 having sold over iii,251,000 album-equivalent units in the US, with over 374,000 being pure sales.[55] During 2019, it sold 1,258,000 anthology-equivalent units in the US, with over 78,000 being pure sales.[56]

Rails list [edit]

Credits adapted from Mail Malone's official website and BMI.[57] [58]

Beerbongs & Bentleys runway listing
No. Title Writer(due south) Producer(due south) Length
1. "Paranoid"
  • Austin Post
  • Idan Kalai
  • Louis Bell
  • Billy Walsh
  • Alexander Krashinsky
  • Cashio
  • Blueysport[a]
  • Bell[b]
3:44
2. "Spoil My Dark" (featuring Swae Lee)
  • Mail
  • Khalif Brown
  • Adam Feeney
  • Teddy Walton
  • Bong
  • Frank Dukes
  • Walton
 3:fourteen
three. "Rich & Sad"
  • Post
  • Feeney
  • Walsh
  • Bell
 Frank Dukes three:23
iv. "Zack and Codeine"
  • Mail service
  • Scott Storch
  • Diego Ave
  • Bell
  • Storch
  • Ave[a]
  • Leon "RoccStar" Youngblood, Jr.[a]
  • Tariq Bright[b]
iii:23
five. "Takin' Shots"
  • Post
  • Jahron Brathwaite
  • Bell
  • David Hughes
  • Walsh
  • Bell
  • Prep Bijan
  • PartyNextDoor[a]
3:37
vi. "Rockstar" (featuring 21 Roughshod)
  • Post
  • Shayaa Abraham-Joseph
  • Olufunmibi Awoshiley
  • Bong
  • Jo-Vaughn Virginie[c]
  • Carl Rosen[c]
  • Tank God
  • Bell
 3:39
7. "Over Now"
  • Post
  • Andrew Watt
  • Bong
  • Tommy Lee
  • Mail Malone
  • Watt
  • Bell
 4:07
eight. "Psycho" (featuring Ty Dolla Sign)
  • Post
  • Tyrone Griffin, Jr.
  • Bell
  • Rosen[c]
  • Malone
  • Bell
 3:41
9. "Amend Now"
  • Mail service
  • Bell
  • Feeney
  • Walsh
  • Kaan Gunesberk
  • Frank Dukes
  • Bong
 iii:50
10. "Ball for Me" (featuring Nicki Minaj)
  • Mail
  • Onika Maraj
  • Bell
 Bell 3:27
11. "Otherside"
  • Mail service
  • Bell
  • Malone
  • Bell
 3:48
12. "Stay"
  • Mail service
  • Watt
  • Bell
  • Malone
  • Watt
 3:28
thirteen. "Blame Information technology on Me"
  • Post
  • Bell
  • Malone
  • Bell
 4:22
14. "Aforementioned Bitches" (featuring G-Eazy and YG)
  • Mail service
  • Gerald Gillum
  • Keenon Jackson
  • Jonathan Whitfield
  • Bong
  • Walsh
  • Kalai
  • Rod Argent
  • Swish
  • Cashio[b]
iii:31
15. "Jonestown" (interlude)
  • Post
  • Bell
  • Te Whiti Warbrick
  • Nick Audino
  • Lewis Hughes
  • Malone
  • Bong
  • Twice as Nice[b]
1:51
16. "92 Explorer"
  • Post
  • London Holmes
  • Bell
  • Aubrey Robinson
  • Kendall Roark Bailey
  • Jaison Harris
  • London on da Rails
  • Robinson
  • Roark Bailey
 3:32
17. "Processed Paint"
  • Post
  • Bell
  • Rosen[c]
  • Malone
  • Bell
 3:49
eighteen. "Sugar Wraith"
  • Post
  • Bong
  • Malone
  • Bong
 3:47
Total length: 64:26
Japanese edition (bonus tracks)[59]
No. Championship Writer(southward) Producer(southward) Length
19. "I Autumn Apart"
  • Post
  • Carlo Montagnese
  • William Walsh
 Illangelo iii:43
xx. "Congratulations"
  • Post
  • Leland Wayne
  • Feeney
  • Bell
  • Metro Boomin
  • Frank Dukes
  • Bell[b]
3:43
21. "Deja Vu" (featuring Justin Bieber)
  • Post
  • Justin Bieber
  • Feeney
  • Anderson Hernandez
  • Matthew Tavares
  • Gunesberk
  • Julian Swirsky
  • Bong
  • Frank Dukes
  • Vinylz
 iii:54
Total length: 75:30

Notes

  • ^[a] signifies a co-producer
  • ^[b] signifies an additional producer
  • ^[c] signifies an uncredited writer
  • "Takin' Shots" features background vocals past PartyNextDoor
  • "Stay" features background vocals by Andrew Watt

Sample credits

  • "Same Bitches" contains interpolations from "Fourth dimension of the Flavour", written by Rod Argent.
  • "92 Explorer" contains interpolations from "Money Counter", written past Jaison Harris.

Personnel [edit]

All programming and instrumentation is credited to the producers of each track, except where noted.[57]

Musicians

  • Austin Post – guitar (tracks 7, 12)
  • Andrew Watt – guitar, bass (tracks 7, 12), keyboards (track 7)
  • Tommy Lee – drums (track 7)
  • Louis Bell – drum programming, keyboards (track seven)
  • Twice as Nice – drum programming (track xv)

Technical

  • Louis Bell – recording (tracks one–11, 13, 15–eighteen), song production
  • Ethan Stevens – recording (track 6)
  • Lorenzo Cardona – recording (track half-dozen)
  • Jonathan Whitfield – recording (rails fourteen)
  • Roark Bailey – recording (track 16)
  • Manny Marroquin – mixing (tracks i–three, 4–11, 13, xiv 16, eighteen)
  • David Nakaji – mixing (tracks iii, fifteen)
  • Spike Stent – mixing (track 12)
  • Joe Fitz – mixing (runway 17)
  • Chris Galland – mixing assistance (tracks ane, two, 4–xi, 13, 14, sixteen, 18)
  • Robin Florent – mixing aid (tracks 1, 2, iv–11, thirteen, 14, xvi, 18)
  • Scott Desmarais – mixing help (tracks 1, 2, 4–eleven, thirteen, fourteen, 16, eighteen)
  • Mike Bozzi – mastering

Charts [edit]

Certifications [edit]

Release history [edit]

References [edit]

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